The unlikely passage often seems impossible because we can't see the way. Progress is often made possible only by feeling your way along the unlikely path. That idea is very similar to what I try to do with photography. The odd perspective, new twist, or unexpected texture makes all the difference. It opens up possibilities that were perhaps previously unimagined. And it often reveals a metaphorical truth that may have previously been (or is still) in doubt. Hopefully people looking at my work will see things as they haven't seen them before. Part of the goal here has to be to show things in a new light, or as the case may be, in a revealing darkness; to strike a certain, indistinct chord that reverberates with a familiarity beyond that which is seen; and to strive to pull ideas from the subconscious. This process, often building upon improvisational techniques, especially with more abstract work, ultimately provides the viewer with the opportunity to enjoy discovering his or her own meaning behind the image, with a wink toward's Derrida's "freeplay of the signifier." Yet another part of the goal has to be to try to reconcile the difference between opposing elements; color and monochrome, line and form, simplicity and complexity, truth and fiction, cognition and emotion. When blessed with the determination and good luck to exhibit work, it is often refreshing to learn that it speaks to others too. This is a cause for great pride, although it is like someone heaping praise on your child. After all, the work is not you, but something that became itself through you. Like good deeds and children, it is often tempting to describe them in great detail, pointing out each feature and form worthy of praise, but in the end, it is usually best to let them speak for themselves. And as it is with much of life, family and friends prove ever so helpful with their wit, insight, honesty, encouragement, and support. In any statement like this, it is important to offer to them a sincere, "Thank you." |
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